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AFRICAN ART

The Saint Louis Art Museum began collecting African art in 1936, when very few American art museums were doing so. The Museum's first acquisition in this area was a distinguished Benin bronze head. This initial purchase was reinforced during the 1940s by additional purchases of Central and West African art, such as a Fang reliquary figure, Yaka headrest, Widekum mask, and Chokwe chief's chair. Since those early years, the African art collection has grown to include over 1,200 works. More than half the collection is comprised of gifts and bequests from St. Louis businessman and philanthropist Morton D. May (1914-1983). Some highlights from Mr. May's contributions include a Kuba helmet mask, Songye power figure, Fon bocio figure, and Yaka mask.

The collection demonstrates the diversity of artistic expression from across the African continent through an array of genres including masks, figural sculpture, miniatures and adornments in metal, ceramic figures and vessels, and textiles. Some highlights include: a Ligbi mask, Igbo female mask, Yungur effigy pot, and Mende display cloth. Art from West Africa is well represented, with special depth in Yoruba art from southwestern Nigeria, for example: a mother and child figure dedicated to the Yoruba god Shango, a double mask for the Gelede Society, and several Egungun masquerade costumes.

Although rich with objects from the 19th and 20th centuries, the collection features chronological depth. The oldest sub-Saharan work is the Nok terracotta head (500BC-200AD). To explore works from the Museum's ancient Egyptian collection, click here. The Museum's collections include works by contemporary African artists, such as El Anatsui, Julie Mehretu, and Seydou Keita.

The African art galleries, which were reinstalled in fall 2012 as part of the Museum's expansion, are located in Galleries 102, 103, and 117.

View our African Art Collection

Curator

Nichole N. Bridges is associate curator in charge, Department of the Arts of Africa, Oceania, and the Americas, and associate curator for African art. Since arriving at the Museum in November 2013, she has organized the exhibitions Adorning Self and Space: West African Textiles (2015) and Currents 109: Nick Cave (2014), and served as in-house curator for the exhibitions Senufo: Art and Identity in West Africa (2015) and Atua: Sacred Gods from Polynesia (2014). She worked previously as a curator at the Newark Museum and the Baltimore Museum of Art, and earned the Ph.D. in art history at the University of Wisconsin, Madison.She has received awards from Fulbright, the Smithsonian Institution, Metropolitan Museum of Art, and the Musée du Quai Branly. She has taught courses in African art history at Johns Hopkins University, City College of New York, and Washington University in St. Louis.

Learning Resources

Art of Africa

Related Programs

Kota and Beyond: Honoring Ancestors in African Art
Gallery Talk. Meet at the Information Center. Free.
Thursday,February 11, 11:00 am
Friday, February 12, 6:00 pm

Join Nichole Bridges, associate curator of African art, for a lively and informative discussion on Kota and Beyond: Honoring Ancestors in African Art.

The Saint Louis Art Museum began collecting African art in 1936, when very few American art museums were doing so. The Museum's first acquisition in this area was a distinguished Benin bronze head. This initial purchase was reinforced during the 1940s by additional purchases of Central and West African art, such as a Fang reliquary figure, Yaka headrest, Widekum mask, and Chokwe chief's chair. Since those early years, the African art collection has grown to include over 1,200 works. More than half the collection is comprised of gifts and bequests from St. Louis businessman and philanthropist Morton D. May (1914-1983). Some highlights from Mr. May's contributions include a Kuba helmet mask, Songye power figure, Fon bocio figure, and Yaka mask.

The collection demonstrates the diversity of artistic expression from across the African continent through an array of genres including masks, figural sculpture, miniatures and adornments in metal, ceramic figures and vessels, and textiles. Some highlights include: a Ligbi mask, Igbo female mask, Yungur effigy pot, and Mende display cloth. Art from West Africa is well represented, with special depth in Yoruba art from southwestern Nigeria, for example: a mother and child figure dedicated to the Yoruba god Shango, a double mask for the Gelede Society, and several Egungun masquerade costumes.

Although rich with objects from the 19th and 20th centuries, the collection features chronological depth. The oldest sub-Saharan work is the Nok terracotta head (500BC-200AD). To explore works from the Museum's ancient Egyptian collection, click here. The Museum's collections include works by contemporary African artists, such as El Anatsui, Julie Mehretu, and Seydou Keita.

The African art galleries, which were reinstalled in fall 2012 as part of the Museum's expansion, are located in Galleries 102, 103, and 117.

View our African Art Collection

Curator

Nichole N. Bridges is associate curator in charge, Department of the Arts of Africa, Oceania, and the Americas, and associate curator for African art. Since arriving at the Museum in November 2013, she has organized the exhibitions Adorning Self and Space: West African Textiles (2015) and Currents 109: Nick Cave (2014), and served as in-house curator for the exhibitions Senufo: Art and Identity in West Africa (2015) and Atua: Sacred Gods from Polynesia (2014). She worked previously as a curator at the Newark Museum and the Baltimore Museum of Art, and earned the Ph.D. in art history at the University of Wisconsin, Madison.She has received awards from Fulbright, the Smithsonian Institution, Metropolitan Museum of Art, and the Musée du Quai Branly. She has taught courses in African art history at Johns Hopkins University, City College of New York, and Washington University in St. Louis.


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